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Hymn: Hypocrisy destroys our best intentions
Hymn: Hypocrisy destroys our best intentions
by Andrew Pratt
Hypocrisy destroys our best intentions, and Jesus read the hearts of those he met. His challenge, never veiled, caused consternation with words that those who heard would not forget. Verses 2-3 follow Tune: INTERCESSOR Metre: 11.10.11.10 Andrew Pratt (born 1948) Words © 19/10
Strange how we adorn with honours
Strange how we adorn with honours
by Andrew Pratt
Strange how we adorn with honours people doing what they should, while the one we count as master hung upon a cross of wood. Verses 2-3 follows Metre: 8 7 8 7 (Trochaic) Tune: ST OSWALD Andrew Pratt (born 1948) Words © 18/9/2013 Stainer & Bell Ltd, London, England, www.stainer.
The Womens' Bible Commentary - Third Isaiah
The Womens' Bible Commentary - Third Isaiah
by SPCK - Newsom, Ringe and Lapsley
Third Isaiah The last eleven chapters, set in Jerusalem after the return from exile, further Zion’s story while developing a variety of themes from previous chapters. Not only does personified Zion continue, but other themes of interest, such as inclusion and justice, both human
THE NEW TESTAMENT AND THE PEOPLE OF GOD - 20 From Event to Meaning
THE NEW TESTAMENT AND THE PEOPLE OF GOD - 20 From Event to Meaning
by SPCK - N T Wright
From Event to Meaning (i) Event and Intention History, then, is real knowledge, of a particular sort. It is arrived at, like all knowledge, by the spiral of epistemology, in which the story-telling human community launches enquiries, forms provisional judgments about which storie
PAUL AND THE FAITHFULNESS OF GOD - From Story to Question: the Implicit Phariasic Worldview
PAUL AND THE FAITHFULNESS OF GOD - From Story to Question: the Implicit Phariasic Worldview
by SPCK - N T Wright
Chapter TWO LIKE BIRDS HOVERING OVERHEAD: THE FAITHFULNESS OF THE GOD OF ISRAEL (vi) From Story to Question: the Implicit Pharisaic Worldview Praxis, symbol and story lead the eye to the implicit questions which, we have argued, can be raised within any worldview. Who are we, whe
Mark for Everyone - Clean and Unclean
Mark for Everyone - Clean and Unclean
by SPCK - N T Wright
Mark For Everyone MARK 7.14–23 ..Back to jokes again. Have you ever told a joke and seen a row of blank stares? They didn’t get it? What can you do? Explain it? Surely that’ll take all the fun out of it. Yes, but a parable isn’t a joke. This one in particular was no laughing matt
THE NEW TESTAMENT AND THE PEOPLE OF GOD - 14 HISTORY AND THE FIRST CENTURY
THE NEW TESTAMENT AND THE PEOPLE OF GOD - 14 HISTORY AND THE FIRST CENTURY
by SPCK - N T Wright
HISTORY AND THE FIRST CENTURY Historical knowledge, I suggested in chapter 2, is indeed a kind of knowledge. We need to make this point clearly, not least after the last chapter. In a good deal of modern literary criticism, as we have seen, there is so much emphasis on the text a
THE NEW TESTAMENT AND THE PEOPLE OF GOD - 21 History and Narrative
THE NEW TESTAMENT AND THE PEOPLE OF GOD - 21 History and Narrative
by SPCK - N T Wright
History and Narrative The task of the historian is not simply to assemble little clumps of ‘facts’ and hope that somebody else will integrate them. The historian’s job is to show their interconnectedness, that is, how one thing follows from another, precisely by examining the ‘in
What news is good? That Christ will live forever?
What news is good? That Christ will live forever?
by Andrew Pratt
What news is good? That Christ will live forever? Beyond a cruel death an empty grave? And whether this is fact or faith means nothing unless Christ's Spirit gives the means to save. If we endure derision, in this moment, or share communion bread within this place, unless our liv
Gazing on the Gospels Year B - Trinity Sunday Year B
Gazing on the Gospels Year B - Trinity Sunday Year B
by SPCK - Judith Dimond
Trinity Sunday John 3: 1-17 Gaze at this conversation, taking place at night in Jesus’ rooms, somewhere in a dark Jerusalem back street. The room is barely lit by a small earthen oil lamp. Jesus and his unexpected guest sit cross-legged on cushions. The furnishings of the room ar
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