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Peter Denies Jesus Three Times
Peter Denies Jesus Three Times
by Dave Hopwood
Slaughter of the Innocent Bible Ref: Matthew 26 -27; Mark 14 -15; Luke 22-23; John 18-19 Each of the following sketches (scenes) can be used to form the basis for a complete act of worship or used as individual scenes on separate occasions. Each scene will require a narrator to r
Prayer: After the denial
Prayer: After the denial
by Colin Smith
In reviewing the previous weeks events (holy Week) and the threat to himself, Peter realises that he still loves Jesus. He falls into remorse and begging forgiveness. Prayer: After Peter’s Denial. Matthew 26:69-75 leaves Peter weeping bitterly over his betrayal of Jesus. This is
Jesus denied by Peter
Jesus denied by Peter
by Graeme Dutton
Image for Station 2 - Jesus denied by Peter Black and white graffiti image created using spray paint on canvas depicting the moment of Peters denial of Christ. See Station 2 text - Click Here Image suitable for use in a PowerPoint slide (see below) PowerPoint Slide Size- This ima
Stations PPT
Stations PPT
by Graeme Dutton
Welcome to ‘Stations’ In the church this evening you will find a series of paintings that follow Christ's journey to the cross. With each painting you will find a piece of scripture that tells part of the story of Christ’s Passion. Please feel free to spend as long as you wish wi
Denial, Betrayal and a New Commandment
Denial, Betrayal and a New Commandment
by Dave Hopwood
It Started with a Kiss… Bible Ref: Matthew 26; Mark 14; Luke 22; John 13-18 Each of the following sketches (scenes) can be used to form the basis for a complete act of worship or used as individual scenes on separate occasions. Each scene will require a narrator to read the linki
Mark for Everyone - In the High Priest’s House
Mark for Everyone - In the High Priest’s House
by SPCK - N T Wright
Mark For Everyone MARK 14.53–72 In the High Priest’s House... ...Jesus retains his integrity at the cost of his life. Peter loses his integrity to save his skin. Mark has contrasted them vividly. The double picture is put together in another of Mark’s ‘sandwiches’. Peter arrives
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