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Four Gospels, One Jesus - Creativity and inspiration
Four Gospels, One Jesus - Creativity and inspiration
by SPCK - Richard A Burridge
Creativity and inspiration Criticism of scripture Some of our actual readers may be feeling by now that this is all very exciting, but perhaps a bit much! It is usually a good idea in a picture gallery to sit down and take stock occasionally. So far, we have seen that the four go
Four Gospels, One Jesus - Living under the shadow of his wings
Four Gospels, One Jesus - Living under the shadow of his wings
by SPCK - Richard A Burridge
Living under the shadow of his wings Like most animals, the eagle rushes into conflict when protecting its young, yet the same instinct causes it to exhibit tender care. Moses’ final song compares God’s concern for Israel to an eagle ‘hovering over its young . . . bearing them al
Four Gospels, One Jesus - The lion and his pride
Four Gospels, One Jesus - The lion and his pride
by SPCK - Richard A Burridge
The lion and his pride The role of the disciples A lion must have his pride – and a rabbi, his disciples. However, are Jesus’ disciples his ‘pride and joy’? On the one hand, they are the people Jesus calls to share his roamings and his battles; on the other hand, their attention
Four Gospels, One Jesus - The hour of glory
Four Gospels, One Jesus - The hour of glory
by SPCK - Richard A Burridge
The hour of glory The Passion, John 18—19 The sight of an eagle climbing up into the sky is glorious. So, too, for John, the death of Jesus sets him free of the earth to return to his Father on high; the hour of his Passion is also the hour of glory. This is the supreme irony. As
Four Gospels, One Jesus - The four living creatures
Four Gospels, One Jesus - The four living creatures
by SPCK - Richard A Burridge
The four living creatures The allocation of the symbols to the gospels What are the four portraits of Jesus, and how can we get away from the mixed-up amalgam? A traditional visual aid has been to use the four living creatures found in Ezekiel’s vision of God (Ezek. 1.10). In the
Four Gospels, One Jesus - The Lion's Appearance
Four Gospels, One Jesus - The Lion's Appearance
by SPCK - Richard A Burridge
The lion’s appearance Symbolism and meaning The opening of any ancient biography usually tried to say something about who the subject was and where he came from. Often the first words included the subject’s name, and, perhaps, a brief comment about his family, ancestry or home to
Four Gospels, One Jesus - The ox, the herd, and the drivers
Four Gospels, One Jesus - The ox, the herd, and the drivers
by SPCK - Richard A Burridge
The ox, the herd, and the drivers Luke’s characterization The gospels’ stories involve three main protagonists – Jesus himself, his disciples and the religious leaders of his day, with three storylines developing en route to their shared climax at the death and resurrection. So l
Four Gospels, One Jesus - The sacrificial, saving victim
Four Gospels, One Jesus - The sacrificial, saving victim
by SPCK - Richard A Burridge
The sacrificial, saving victim The Passion, Luke 22—23 In Luke’s Passion narrative, Jesus becomes passive, like Mark’s lion being tied up and muzzled, or Matthew’s Teacher refusing to call up legions of angels. Here the reason is divine necessity: ‘it is necessary’ (dei) appears
Four Gospels, One Jesus - What kind of animal is this creature?
Four Gospels, One Jesus - What kind of animal is this creature?
by SPCK - Richard A Burridge
What kind of animal is this creature? Identity and interlude, Mark 8—10 So, everybody misunderstands Jesus during the first half of this gospel – his family (3.21–35), the crowds (4.10–12), the Gerasenes (5.17), his own home town (6.1–6), the religious leaders (7.6; 8.11–12) and
The Womens' Bible Commentary - Male-Centered Language and Worldview
The Womens' Bible Commentary - Male-Centered Language and Worldview
by SPCK - Newsom, Ringe and Lapsley
Male-Centered Language and Worldview The address of the letter provides a good illustration of the male-centered worldview of the New Testament writers, which is often compounded by non-inclusive translations. For example, in 1:1, Paul identifies himself as an apostle called by G
The Womens' Bible Commentary - The Sinner