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JOHN: The people's bible commentary - Are You King of the Jews?
JOHN: The people's bible commentary - Are You King of the Jews?
by BRF - Richard A. Burridge
ARE YOU KING of the JEWS? The trial oscillates between Pilate’s own interrogation of Jesus inside and those outside the headquarters. The first three scenes develop the theme of kingship, starting with Pilate’s questions.
JOHN: The people's bible commentary - BETRAYED in a GARDEN
JOHN: The people's bible commentary - BETRAYED in a GARDEN
by BRF - Richard A. Burridge
BETRAYED in a GARDEN Jesus has finally finished ‘speaking these words’ of the Farewell Discourses and his Prayer, and so now he takes his disciples out across the Kidron valley to a garden (18:1). We notice immediately that John’s account of the passion is both similar to the oth
Four Gospels, One Jesus - From four gospels forward to many Jesuses
Four Gospels, One Jesus - From four gospels forward to many Jesuses
by SPCK - Richard A Burridge
From four gospels forward to many Jesuses Many interpretations tend to create the subject’s portrait in the author’s own image. Irenaeus applies the four living creatures not only to the evangelists themselves, but also to their portraits of Jesus: the four symbols are ‘images of
Four Gospels, One Jesus - How did the gospels come to be written?
Four Gospels, One Jesus - How did the gospels come to be written?
by SPCK - Richard A Burridge
How did the gospels come to be written? Source As a schoolteacher, I used to spend long evenings marking children’s exercise books. Occasionally, I would suddenly realize that I had seen this answer before, or something very like it, and a frantic search would ensue back through
Four Gospels, One Jesus - Plurality within limits
Four Gospels, One Jesus - Plurality within limits
by SPCK - Richard A Burridge
Plurality within limits If we return to our initial comparison with Churchill, then certainly Lady Churchill believed that there were limits with regard to portraits of her husband, although the criteria seem subjective. Graham Sutherland’s tapestry of Christ can still be seen at
Four Gospels, One Jesus - The bounding lion
Four Gospels, One Jesus - The bounding lion
by SPCK - Richard A Burridge
The bounding lion Mark’s style, structure and narrative technique Whenever Aslan does appear in the Narnia stories, he dashes from place to place as he is needed in great leaps and bounds: ‘he rushes on and on, never missing his footing, never hesitating’ (The Lion, the Witch and
Four Gospels, One Jesus - Talons bared for conflict
Four Gospels, One Jesus - Talons bared for conflict
by SPCK - Richard A Burridge
Talons bared for conflict The Book of Signs and “the Jews”, John 2—12 In Tolkien’s stories, Numenor is an Atlantis-like land blessed by Iluvatar (God) which overreaches itself and turns to evil. Its doom is presaged first by eagle-shaped clouds and then by eagles themselves; few
Four Gospels, One Jesus - Strength to bear the burdens
Four Gospels, One Jesus - Strength to bear the burdens
by SPCK - Richard A Burridge
Strength to bear the burdens Luke’s spirituality As well as a patient steady plodder, carrying heavy loads, the ox was a very religious symbol for Jews, being used for sacrifice, and its horns representing the power of God. If Luke is the evangelist who depicts Jesus as the beare
Four Gospels, One Jesus - Conflict between the Teacher and Israel
Four Gospels, One Jesus - Conflict between the Teacher and Israel
by SPCK - Richard A Burridge
Conflict between the Teacher and Israel Matthew 8—23 The intrusion of substantial non-narrative material in these sermons inhibits the movement of the plot. This mixture of Jesus’ ministry and his teaching produces a more measured air; instead of the breathless dash of Mark’s bou
Four Gospels, One Jesus - The new teaching
Four Gospels, One Jesus - The new teaching
by SPCK - Richard A Burridge
The new teaching The Discourses, Matthew 5—7, 10, 13, 18, 23—25 While Mark has very little actual teaching, Matthew builds the character of Jesus as the Teacher of Israel, and structures the gospel around his five great blocks of teaching – the discourses punctuating the narrativ
Four Gospels, One Jesus - The ox in the Temple and the stall
Four Gospels, One Jesus - The ox in the Temple and the stall
by SPCK - Richard A Burridge
The ox in the Temple and the stall Infancy and beginnings, Luke 1—4.13 Since the ox was the universal beast of burden, it is not surprising that Luke stresses the universal importance of Jesus. We have seen that the opening words of any ancient text were crucial. If Mark is not c
Four Gospels, One Jesus - From four gospels back to one Jesus
Four Gospels, One Jesus - From four gospels back to one Jesus
by SPCK - Richard A Burridge
From four gospels back to one Jesus This basic unity of story outline within the plurality of portraits brings us to the second set of questions regarding the relationship of the four images to the search for the historical Jesus: what continuity is there between Jesus himself an
Four Gospels, One Jesus - Literary approaches to the texts
Four Gospels, One Jesus - Literary approaches to the texts
by SPCK - Richard A Burridge
Literary approaches to the texts Narrative and readers If the authors of the four gospels are not just preachers and theologians, but also skilled literary artists, then we must use the tools developed in the study of literature throughout our culture. Such literary approaches in
Four Gospels, One Jesus - The four symbols as visual teaching aids