Richard A Burridge
Four Gospels, One Jesus - Another Moses?
Four Gospels, One Jesus - Another Moses?
by SPCK - Richard A Burridge
Another Moses? Beginning ministry, Matthew 3—8.1 In the picture of Matthew in the Lindisfarne Gospels, there is another bearded figure peering out from behind the curtain, holding a book. Some scholars and art historians suggest this might be Moses, with the Law. Certainly, Old T…
Four Gospels, One Jesus - Where is he who is born King of the Jews?
Four Gospels, One Jesus - Where is he who is born King of the Jews?
by SPCK - Richard A Burridge
Where is he who is born King of the Jews? Infancy narratives, Matthew 1—2 Mark begins with ‘the beginning of the gospel of Jesus Christ’, but Matthew picks another key word – genesis: ‘the book of the generation (biblos geneseos) of Jesus Christ, son of David, son of Abraham’ (1.…
Four Gospels, One Jesus - The human face
Four Gospels, One Jesus - The human face
by SPCK - Richard A Burridge
The Teacher of Israel – Matthew’s Jesus ‘The human face Symbolism and meaning Our detailed consideration of Mark has demonstrated the person-centred reading of the gospels as biographies. About 90 per cent of Mark (around 600 verses) is repeated in Matthew, slightly abbreviated i…
Four Gospels, One Jesus - In at the kill
Four Gospels, One Jesus - In at the kill
by SPCK - Richard A Burridge
In at the kill The Passion, Mark 14—15 At last we come to the ending – the Markan Passion, a dark scene to which the whole gospel has been leading. Jesus has made his way to Jerusalem, and this geographical concentration has brought the conflict into focus: a lion’s story should …
Four Gospels, One Jesus - Jerusalem - the lion's lair or robber's den?
Four Gospels, One Jesus - Jerusalem - the lion's lair or robber's den?
by SPCK - Richard A Burridge
Jerusalem – the lion’s lair or robbers’ den? The Temple, Mark 11—13 Mark’s gospel is like a symphony in three movements: we rushed through the first half in a flurry of activity, power and conflict, healings and exorcisms (1—8.26); the second movement was an interlude at a slower…
Four Gospels, One Jesus - What kind of animal is this creature?
Four Gospels, One Jesus - What kind of animal is this creature?
by SPCK - Richard A Burridge
What kind of animal is this creature? Identity and interlude, Mark 8—10 So, everybody misunderstands Jesus during the first half of this gospel – his family (3.21–35), the crowds (4.10–12), the Gerasenes (5.17), his own home town (6.1–6), the religious leaders (7.6; 8.11–12) and …
Four Gospels, One Jesus - The lion and his pride
Four Gospels, One Jesus - The lion and his pride
by SPCK - Richard A Burridge
The lion and his pride The role of the disciples A lion must have his pride – and a rabbi, his disciples. However, are Jesus’ disciples his ‘pride and joy’? On the one hand, they are the people Jesus calls to share his roamings and his battles; on the other hand, their attention …
Four Gospels, One Jesus - The beast of conflict
Four Gospels, One Jesus - The beast of conflict
by SPCK - Richard A Burridge
The beast of conflict Opposition and ministry, Mark 1—8 One thing is clear about lions in every age and culture: they are powerful fighters with a keen sense of territory. After the opening flurry of chapter 1, Jesus starts to roam far and wide around the northern territories by …
Four Gospels, One Jesus - The bounding lion
Four Gospels, One Jesus - The bounding lion
by SPCK - Richard A Burridge
The bounding lion Mark’s style, structure and narrative technique Whenever Aslan does appear in the Narnia stories, he dashes from place to place as he is needed in great leaps and bounds: ‘he rushes on and on, never missing his footing, never hesitating’ (The Lion, the Witch and…
Four Gospels, One Jesus - The Lion's Appearance
Four Gospels, One Jesus - The Lion's Appearance
by SPCK - Richard A Burridge
The lion’s appearance Symbolism and meaning The opening of any ancient biography usually tried to say something about who the subject was and where he came from. Often the first words included the subject’s name, and, perhaps, a brief comment about his family, ancestry or home to…
Four Gospels, One Jesus - From Jerome to the Book of Kells
Four Gospels, One Jesus - From Jerome to the Book of Kells
by SPCK - Richard A Burridge
From Jerome to the Book of Kells The illuminated gospels Jerome’s translation quickly became the ‘Vulgate’, which means ‘Common’ version. The canonical order of Matthew– Mark–Luke–John applied to Ezekiel’s sequence was fairly standard and the four symbols can be found in frescoes…
Four Gospels, One Jesus - The four symbols as visual teaching aids
Four Gospels, One Jesus - The four symbols as visual teaching aids
by SPCK - Richard A Burridge
The four symbols as visual teaching aids Reasons and explanations Clearly, the allocation of the symbols resulted from applying Ezekiel to one’s customary order of the gospels – and the explanations followed on later, some of which are rather strained. The reasons given are all d…
Four Gospels, One Jesus - The four living creatures
Four Gospels, One Jesus - The four living creatures
by SPCK - Richard A Burridge
The four living creatures The allocation of the symbols to the gospels What are the four portraits of Jesus, and how can we get away from the mixed-up amalgam? A traditional visual aid has been to use the four living creatures found in Ezekiel’s vision of God (Ezek. 1.10). In the…
Four Gospels, One Jesus - Creativity and inspiration
Four Gospels, One Jesus - Creativity and inspiration
by SPCK - Richard A Burridge
Creativity and inspiration Criticism of scripture Some of our actual readers may be feeling by now that this is all very exciting, but perhaps a bit much! It is usually a good idea in a picture gallery to sit down and take stock occasionally. So far, we have seen that the four go…
Four Gospels, One Jesus - Literary approaches to the texts
Four Gospels, One Jesus - Literary approaches to the texts
by SPCK - Richard A Burridge
Literary approaches to the texts Narrative and readers If the authors of the four gospels are not just preachers and theologians, but also skilled literary artists, then we must use the tools developed in the study of literature throughout our culture. Such literary approaches in…
Four Gospels, One Jesus - What about the authors?
Four Gospels, One Jesus - What about the authors?
by SPCK - Richard A Burridge
What about the authors? Redaction and composition I cannot always read my favourite newspaper at coffee-time in our staff common room, because someone else has bagged it already! Never mind, there are others around, and reading various papers reveals their different styles and vi…
Four Gospels, One Jesus - What sorts of material do the gospels contain?