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Four Gospels, One Jesus - The ox in the Temple and the stall
Four Gospels, One Jesus - The ox in the Temple and the stall
by SPCK - Richard A Burridge
The ox in the Temple and the stall Infancy and beginnings, Luke 1—4.13 Since the ox was the universal beast of burden, it is not surprising that Luke stresses the universal importance of Jesus. We have seen that the opening words of any ancient text were crucial. If Mark is not c
Poem: Wine and Spirit
Poem: Wine and Spirit
by Marjorie Dobson
Poem: Wine and Spirit ‘Don’t get drunk with wine,. Be filled with the Spirit.’ You know, there are some people who would totally misinterpret that message. You can hear them saying it, can’t you? ‘Keep off the wine, but spirits are fine!’ So off they go, drinking to excess, los
John The People's Commentary - Belief, Blindness and Fear
John The People's Commentary - Belief, Blindness and Fear
by BRF - Richard A. Burridge
Belief, Blindness and Fear We have suggested that John’s gospel is a two-act drama, with this section as an interlude (see on 1:19 and 11:1 above). The central actor, Jesus, is working very hard! He was not merely on stage for most of Act One, but at the centre of the action…
Parallel Lives of Jesus - 5d The Characterization of the Disciples
Parallel Lives of Jesus - 5d The Characterization of the Disciples
by SPCK - Edward Adams
The Characterization of the Disciples By no means is Luke oblivious to the failings of the disciples (e.g., 8:22–25; 9:12–13), but his portrait of the disciples is more positive than Mark’s and even Matthew’s.28 This is evident from a comparison of parallel episodes. Luke does no
The Monastery Of The Heart - 23 Sacred Art
The Monastery Of The Heart - 23 Sacred Art
by SPCK - Joan Chittister
Sacred Art “They are to practice their craft with all humility.” The bond between Benedictine spirituality and art goes deep. Medieval monasteries were centres of the arts and patrons of the arts because art, as a reflection of beauty- which is itself an attribute of God- came to
Lectio Divina the Sacred Art - 7 SAVOURING SACRED TEXT
Lectio Divina the Sacred Art - 7 SAVOURING SACRED TEXT
by Christine Valters Painter
SAVOURING SACRED TEXT In the previous chapter I focused on lectio, the first movement of lectio divina, which includes the dynamics of settling and shimmering— preparing yourself to enter the deep silence of the heart and then listen for the word or phrase from the sacred text th
Great Christian Thinkers - 14 St, Gregory of Nyssa
Great Christian Thinkers - 14 St, Gregory of Nyssa
by SPCK - Pope Benedict XVI
St. Gregory of Nyssa Theologian of Life in the Spirit In the last chapters, I spoke of two great fourth-century Doctors of the Church, Basil and Gregory of Nazianzus, a bishop in Cappadocia, in present-day Turkey. Today, we are adding a third, St. Gregory of Nyssa, Basil’s brothe
Echoing the Word - The common texts of the Eucharistic Prayer
Echoing the Word - The common texts of the Eucharistic Prayer
by SPCK - Paula Gooder & Michael Perham
6 The common texts of the Eucharistic Prayer For all their variety, the Eucharistic Prayers of Common Worship have some common texts and share these with the eucharistic rites of other provinces and churches. These are an opening dialogue, a song usually called by its Latin name,
Echoing the Word - Proper prefaces