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Four Gospels, One Jesus - Jerusalem - the lion's lair or robber's den?
Four Gospels, One Jesus - Jerusalem - the lion's lair or robber's den?
by SPCK - Richard A Burridge
Jerusalem – the lion’s lair or robbers’ den? The Temple, Mark 11—13 Mark’s gospel is like a symphony in three movements: we rushed through the first half in a flurry of activity, power and conflict, healings and exorcisms (1—8.26); the second movement was an interlude at a slower
Transforming Preaching - Learning through reflection
Transforming Preaching - Learning through reflection
by SPCK - David Heywood
2 The sermon as a learning event Preaching for learning If our ministry of preaching is to be effective we need to do at least two things: to understand the role of sermons in the context of the learning that is already taking place in our congregations through reflection; and to
Four Gospels, One Jesus - From four gospels forward to many Jesuses
Four Gospels, One Jesus - From four gospels forward to many Jesuses
by SPCK - Richard A Burridge
From four gospels forward to many Jesuses Many interpretations tend to create the subject’s portrait in the author’s own image. Irenaeus applies the four living creatures not only to the evangelists themselves, but also to their portraits of Jesus: the four symbols are ‘images of
Four Gospels, One Jesus - How did the gospels come to be written?
Four Gospels, One Jesus - How did the gospels come to be written?
by SPCK - Richard A Burridge
How did the gospels come to be written? Source As a schoolteacher, I used to spend long evenings marking children’s exercise books. Occasionally, I would suddenly realize that I had seen this answer before, or something very like it, and a frantic search would ensue back through
Four Gospels, One Jesus - Gwaihir and farsight the Eagles
Four Gospels, One Jesus - Gwaihir and farsight the Eagles
by SPCK - Richard A Burridge
Gwaihir and Farsight the Eagles Symbolism and meaning If Mark’s Jesus can be seen in C. S. Lewis’ Aslan the lion, perhaps there is something of John’s Jesus in another Narnian character: Farsight the Eagle can fly so high and see so keenly that he can survey all Narnia as he whee
Four Gospels, One Jesus - Fulfilment of the law and the prophets
Four Gospels, One Jesus - Fulfilment of the law and the prophets
by SPCK - Richard A Burridge
Fulfilment of the law and the prophets Second, this new Teacher of Israel fulfils scripture repeatedly during the opening chapters, and Jesus uses scripture to defeat Satan in the wilderness. Matthew has about sixty references or quotations from the Old Testament – three times as
Four Gospels, One Jesus - Plurality within limits
Four Gospels, One Jesus - Plurality within limits
by SPCK - Richard A Burridge
Plurality within limits If we return to our initial comparison with Churchill, then certainly Lady Churchill believed that there were limits with regard to portraits of her husband, although the criteria seem subjective. Graham Sutherland’s tapestry of Christ can still be seen at
Four Gospels, One Jesus - The bounding lion
Four Gospels, One Jesus - The bounding lion
by SPCK - Richard A Burridge
The bounding lion Mark’s style, structure and narrative technique Whenever Aslan does appear in the Narnia stories, he dashes from place to place as he is needed in great leaps and bounds: ‘he rushes on and on, never missing his footing, never hesitating’ (The Lion, the Witch and
Four Gospels, One Jesus - Talons bared for conflict
Four Gospels, One Jesus - Talons bared for conflict
by SPCK - Richard A Burridge
Talons bared for conflict The Book of Signs and “the Jews”, John 2—12 In Tolkien’s stories, Numenor is an Atlantis-like land blessed by Iluvatar (God) which overreaches itself and turns to evil. Its doom is presaged first by eagle-shaped clouds and then by eagles themselves; few
Four Gospels, One Jesus - Strength to bear the burdens
Four Gospels, One Jesus - Strength to bear the burdens
by SPCK - Richard A Burridge
Strength to bear the burdens Luke’s spirituality As well as a patient steady plodder, carrying heavy loads, the ox was a very religious symbol for Jews, being used for sacrifice, and its horns representing the power of God. If Luke is the evangelist who depicts Jesus as the beare
Four Gospels, One Jesus - Conflict between the Teacher and Israel
Four Gospels, One Jesus - Conflict between the Teacher and Israel
by SPCK - Richard A Burridge
Conflict between the Teacher and Israel Matthew 8—23 The intrusion of substantial non-narrative material in these sermons inhibits the movement of the plot. This mixture of Jesus’ ministry and his teaching produces a more measured air; instead of the breathless dash of Mark’s bou
Four Gospels, One Jesus - The new teaching
Four Gospels, One Jesus - The new teaching
by SPCK - Richard A Burridge
The new teaching The Discourses, Matthew 5—7, 10, 13, 18, 23—25 While Mark has very little actual teaching, Matthew builds the character of Jesus as the Teacher of Israel, and structures the gospel around his five great blocks of teaching – the discourses punctuating the narrativ
Four Gospels, One Jesus - Another Moses?
Four Gospels, One Jesus - Another Moses?
by SPCK - Richard A Burridge
Another Moses? Beginning ministry, Matthew 3—8.1 In the picture of Matthew in the Lindisfarne Gospels, there is another bearded figure peering out from behind the curtain, holding a book. Some scholars and art historians suggest this might be Moses, with the Law. Certainly, Old T
Four Gospels, One Jesus - The ox in the Temple and the stall
Four Gospels, One Jesus - The ox in the Temple and the stall
by SPCK - Richard A Burridge
The ox in the Temple and the stall Infancy and beginnings, Luke 1—4.13 Since the ox was the universal beast of burden, it is not surprising that Luke stresses the universal importance of Jesus. We have seen that the opening words of any ancient text were crucial. If Mark is not c
Four Gospels, One Jesus - From four gospels back to one Jesus
Four Gospels, One Jesus - From four gospels back to one Jesus
by SPCK - Richard A Burridge
From four gospels back to one Jesus This basic unity of story outline within the plurality of portraits brings us to the second set of questions regarding the relationship of the four images to the search for the historical Jesus: what continuity is there between Jesus himself an
Four Gospels, One Jesus - Literary approaches to the texts
Four Gospels, One Jesus - Literary approaches to the texts
by SPCK - Richard A Burridge
Literary approaches to the texts Narrative and readers If the authors of the four gospels are not just preachers and theologians, but also skilled literary artists, then we must use the tools developed in the study of literature throughout our culture. Such literary approaches in
Four Gospels, One Jesus - Mountains