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Dialogue: Weariness
Dialogue: Weariness
by Marjorie Dobson
Dialogue: Weariness The weary older one Oh dear, I am so tired. And so fed up. And life seems so pointless. And I don’t know why I bother. Do you know, I’ve been working with that church for fifty years or more and what do I have to show for it? Not a lot. I’m not saying I can’t
Drama: What do we learn from the Psalms?
Drama: What do we learn from the Psalms?
by Marjorie Dobson
Drama: What do we learn from the Psalms? Two people are ready to read the Bible – one at a lectern or desk, one in the pulpit, if possible. The text is written for A being a woman and B being the preacher, but could easily be adapted. However, the last line does indicate that B w
Dramatic reading: What do you love?
Dramatic reading: What do you love?
by Marjorie Dobson
Dramatic reading: What do you love? (Two - or more - voices read the first six paragraphs alternately. The last paragraph is read by a third reader) I love chocolate. I could eat it for ever – a whole box at a time, when it’s available. But if I did eat as much as I want I’d be a
Monologue/Drama:No more sacrifices!
Monologue/Drama:No more sacrifices!
by Marjorie Dobson
Monologue/Drama:No more sacrifices! No more sacrifices! No more burnt offerings! What’s he trying to do? Put me out of business? Who does he think he is? This is my way of life. I’ve been selling pure young lambs and birds for years now. Reasonable prices – although I’ll get a bi
Drama - The Paxo Christmas Special
Drama - The Paxo Christmas Special
by Kit Walkham
A debate on "Is Christmas in Britain's Interests" led by a male presenter with the manner of a well known TV host. Written with other 3 parts played by women, but could be adapted. Raises misconceptions of the nature of Christmas. The Paxo Christmas Special, by Kit Walkham This w
Drama/dialogue: Eastern strangers
Drama/dialogue: Eastern strangers
by Marjorie Dobson
Drama/dialogue: Eastern strangers (A piece for two voices. The first one reads straight to the audience, as if ignoring the interruptions. The second interacts with the audience, letting them in on the comments and questions. Only in the last three lines do the two speakers relat
Reflection/Drama: Psalm 72 for today
Reflection/Drama: Psalm 72 for today
by Marjorie Dobson
Reflection/drama: Psalm 72 for today (can be read by several voices, but will work best with at least two) ‘He will judge in righteousness. He will defend the afflicted. He will save the children of the needy. He will crush the oppressor. He will be like showers watering the eart
Monologue: Come away, my love
Monologue: Come away, my love
by Marjorie Dobson
Monologue: Come away, my love Did you hear that? ‘The voice of my beloved’ and ‘he comes leaping over the mountains like a young stag.’ Can you imagine that kind of thing happening round here? I don’t know what your beloved would sound like but mine’s more likely to be bellowing,
Drama: People of Nazareth
Drama: People of Nazareth
by Marjorie Dobson
Drama: People of Nazareth This can be performed by seven people – six reading a sentence from each section and one concluding with the Bible quotation, or any number that is available. I knew him when they first came here, when there were all those rumours about her being an unma
Monologue: Nathaniel reflects
Monologue: Nathaniel reflects
by Marjorie Dobson
Monologue: Nathaniel reflects Looking back on it now, I can’t believe what I said when Philip came running to me on that first day when I met Jesus. Philip was so excited, but the response I gave must have shaken him to the core. We’d been friends for some time. We’d studied the
Ticking the boxes
Ticking the boxes
by Marjorie Dobson
Ticking the boxes (two characters. Interviewer (I) and respondent (R). Only props needed are clipboard and pen for the interviewer, who ticks boxes as the questions are answered.) I. Good morning. If you have a few minutes to spare, I’d like to ask you a few questions. We’re doin
What would you do?
What would you do?
by Marjorie Dobson
Matthew 21: 23-32 Reflection / Drama – What would you do? If you were a pillar of the local community, or church, would you be very happy if some big, hairy, loud-mouthed bloke accused you of being incompetent, hypocritical, corrupt and lacking in all sense of responsibility? If
Greeted by a man who knew them
Greeted by a man who knew them
by Andrew Pratt
Greeted by a man who knew them, though he'd never met or seen Philip, Peter or Nathaniel, never walked where they had been. Such perception raised suspicion, who this mystery man might be: self styled seer or wand'ring prophet? Who was it that they could see? Verses 2-3 follow
Drama: The Vine
Drama: The Vine
by Marjorie Dobson
Drama: The Vine On stage one figure, ‘the vine’, stands centrally with arms raised. Other people – as many as you like, but at least five – are attached to the central figure in lines on either side, by holding hands, or belts, or green ribbons. Each figure should have leaves and
Beauty lines of Wisdom